Otherwise every passing second is a vocal battle against a declining attention span, like a clicked finger in the face, forever.Įven the sequencing of the songs betrays this fear. The exception is the Jacko-channelling (and distinctly old-fashioned) Ladykiller, which boasts an actual guitar solo. Wiz Khalifa (guest rapper on Payphone) gets more space at the front of the stage than the rest of his band do. Adam Levine fires up that nasal yelp as soon as the song begins, and does not let up until the fadeout. They are also keenly aware that today's pop does not require much in the way of unattended music.
Maroon 5 overexposed cd code#
One More Night's melody can't go more than a bar or two without repeating - as if the band is worried it may forget itself - or getting stuck on a Morse code note for a while, just like a Rihanna song would.Īnd if their choruses have abandoned the strutting cockerel heat of This Love in favour of the saturated rave bliss of Love Somebody or The Man Who Never Lied, that's simply the effect of market they have chosen to operate within. So if the melodies on their fourth album have become more fragmented and repetitive, that's because pop music tunes have gone that way too.
Maroon 5 are fast becoming their perfect band, being a fairly reliable and glossy barometer of how modern pop songs work - give or take a dubstep breakdown here or there.
Maroon 5 overexposed cd update#
It’s an acoustic ode that’s bittersweet, yet ultimately positive, and one that could have found a home on any of Maroon 5’s pervious records.Everyone has friends that don't wish to keep up with the daily goings-on in global popular music, but like the odd update now and again so as not to feel left out and fossily. Beautiful Goodbye – Maroon 5 back off from the club-friendly vibes and offer a good-natured closing statement in the vein of pop rockers like Train and Gavin DeGraw. Let’s just hope potential remixers leave Shellback’s shimmery synth flashes from the chorus intact.ġ2. Doin’ Dirt – The energy of “Tickets” keeps going strong, and much like “Lucky Strike,” “Doin’ Dirt” is the kind of high-energy, beat-driven song that begs for a dance remix. Fans of “Give A Little More” off Maroon 5’s last effort should earmark this one.ġ1. Tickets – “Overexposed’s” most interesting track features twisting production (at one point early on, it sounds like it’s about to contort into Benny Benassi’s “Satisfaction”) yet ultimately comes through as a tight, techno-influenced pop song. Levine certainly has the pipes to pull it off, but in the end, all he can muster is a simple, “I’m so sad.” Bummer!ġ0. Sad – “Sad” gives “Overexposed” its one true piano ballad - and gives us some insight into why piano ballads were never quite Maroon 5’s calling card. The track has an auto-pilot feel to it, with the verses and chorus melding together a bit too predictably.Ġ9. Fortune Teller – Although “Fortune Teller” is one of Levine’s most honest songs lyrically, it’s not one of “Overexposed”‘s strongest. Ladykiller – Did Adam go and jack the title of “Voice” co-star Cee Lo Green’s last album? Here, Levine breaks out some high-pitched falsetto to tell the tale of a femme fatale, while a twitchy little guitar solo prior to the final chorus proves to be one of “Overexposed”‘s most pleasantly unexpected moments.Ġ8. Sadly, it’s a track that fades into the background amongst “Overexposed”‘s stronger points.Ġ7. The song is almost completely driven by Tedder and Zancanella’s beat, inching along through the verses before bubbling over just before the chorus kicks in. Love Somebody – When the band announced “Overesposed” as their most pop-friendly yet, they probably had tracks like “Love Somebody” in mind.
The Man Who Never Lied – “Man” finds Levine in more relationship trouble, this time playing the role of the good guy: “I was the man who never lied… but I couldn’t break your heart like you did yesterday.” Musically, it keeps the energy from “Lucky Strike” going strong, with one of “Overexposed’s” most memorable choruses.Ġ6. Though not a “rock” song per se, it still packs the energy of the band’s earlier, more band-based material.Ġ5. Lucky Strike – Maroon 5’s guitars finally come out to play in the opening bars here. “Daylight” is a bittersweet tale that builds momentum towards one of the album’s most up-tempo songs that follows it listen closely and you might hear a Chris Martin homage in Levine’s “whoa-oh’s.”Ġ4. Daylight – On one of several “Overexposed” tracks co-produced by Levine himself, “Daylight” finds Maroon 5 in their soft rock wheelhouse.